The Ang INK (Ang Ilustrador ng Kabataan) catalog is a DIY piece made by the members and given to various companies and publications who may need the services of an illustrator. It’s a self-promo piece and sadly, it has seen better days. Over the years, the catalog has gotten thinner and thinner. Extending deadlines never seems to help as fewer and fewer members bother to make entries.
There used to be a time when entries by Pepper Roxas and Robert Alejandro were lovely little fold-out affairs. Having seen their entries when I was new member inspired me to make my own entries different every year.
For the INK Orientation Seminar yesterday, Fran Alvarez made a short video (shot and edited with her iPhone 4S no less) showcasing some INK Catalogs over the years. Here’s hoping it inspires both old and new members to submit their own exciting entries.
“The most beautiful emotion we can experience is the mysterious. It is the fundamental emotion that stands at the cradle of all true art and science. He to whom this emotion is a stranger, who can no longer wonder and stand rapt in awe, is as good as dead, a snuffed-out candle. To sense that behind anything that can be experienced there is something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense, and in this sense only, I am a devoutly religious man.”
– Albert Einstein, quoted from Einstein: His Life & Universe by Walter Isaacson
Comics smart guy Scott McCloud speaks on Ted Talks about the future shape of comics. It’s basically stuff that’s in his book Reinventing Comics, wherein he talks about applying comics onto an “infinite canvas” with the use of digital technology.
This was written way back in the late 90s and despite the proliferation of webcomics, digital comics won’t be replacing the printed page anytime soon. Granted that comic scans are now widely available, the format still makes use of the printed page and doesn’t adapt the content to the peculiarities of the digital medium.
Comics geeks interested in formalist comics experiments may also find the work of Daniel Merlin Goodbrey very interesting. I studied his work in preparation for my thesis and this particular hypercomics piece blew me away when I first saw it.
I became interested in how comics could tell non-linear stories. The way the images were composed also reminded me of Chris Ware‘s work, another comics genius.
Imagine my surprise when I found out Goodbrey was a speaker at the Comica Festival when I was there for the Lingua Comica Project. He presented his work in hypercomics and this piece in particular.
I found out it was a collaborative project created for the wall of the Institute of Contemporary Artsas part of a previous Comica Festival. Goodbrey applied McCloud’s concept of an infinite canvas through the use of a flash-based zooming system called the Tarquin Engine.
Another web based comic is When I Am King, created by demian5. The piece has been in the internet for ages. It’s irreverent and nonsensical but a pretty fun read.
Comics in the Digital Age
As we move into the future, even more printed content will migrate to the digital world. Already, economic and technological upheavals are changing the face of publishing (read Time.com’s article on “Books Gone Wild: The Digital Age reshapes literature”). In Japan, “novels” are being created and read on mobile phones. Now, there’s a comic reader application for the iPhone. Even an established traditional comic publisher like DC Comics has established their own webcomics division called Zuda Comics.
Now, I don’t know what comics will be like in the future. I, for one, still like reading it the old fashioned way – printed on paper. That way you can smell the pages and curl up with in bed. But make no mistake, the future will come one way or the other.