I was invited to participate in a drawing exhibit at the University of the Philippines Vargas Museum. I don’t think I’ve ever drawn something this big. It was fun and liberating not having to worry about color.
Yeah, so I’m teaching. The Ayala Museum contacted me awhile back and asked if I could a basic oil painting workshop for the summer. In the spirit of doing things that scare you, I said yes.
It was a three-day workshop and I tried to cover the basics. Oil can be an intimidating medium for some. Watercolor seems to be the popular painting medium nowadays (at least among my circle of friends and some casual practitioners). But I’ve always loved the look of oil. It just feels so substantial.
Reposting for my organization:
Ang INK is now accepting applications for new members this 2017. If you would like to be an official INKie, complete the following requirements:
1. Five (5) sample illustrations from your portfolio.
• Individual images should be at least 1000px on one side and be not more than 72 dpi.
• Compile all 5 images in 1 PDF. File should NOT exceed 7mb.
• PDF name should follow the format: APP2017-YourName-PORTFOLIO.
2. Three (3) illustrations based on the PBBY-Salanga Prize winning story Dalawa Kami ni Lola by Genaro Gojo Cruz
• Read the story here: https://tinyurl.com/Dalawa-Kami-ni-Lola
• Individual images should be 9”(h) x 14”(w), and should not be more than 72dpi.
• Entries do not have to be based on consecutive spreads/parts of the text. You are not required to layout/include the text in your illustrations.
• Compile ALL 3 images in ONE PDF. Total file size of the PDF should NOT exceed 5mb.
• PDF name should follow the format: APP2017-YourName.
3. Download and complete the application form https://tinyurl.com/INKAppForm2017
4. Compress ALL REQUIREMENTS as a ZIP file with the file name: APP2017-Surname-FirstName
Once you have finished the steps above, send your COMPLETE ZIP file to email@example.com with the subject line: APP2017-YourName
DEADLINE: March 18, 2017 (Saturday), 11:59 PM
All applicants will be notified of the results through email on the first week of April. For questions and clarifications, comment below or email us at firstname.lastname@example.org.
Ang INK’s website at http://ang-ink.org
Facebook at: https://www.facebook.com/AngINK.org/
Instagram at: https://www.instagram.com/hello_ink/
“String theory envisions a multiverse in which our universe is one slice of bread in a big cosmic loaf. The other slices would be displaced from ours in some extra dimension of space.”
– Brian Greene
“If a coin comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal. But on another world, it does come down tails. And when that happens, the two worlds split apart.”
― Philip Pullman,
Last month, Sergio Bumatay and I had our second two-man show, this time held at Galerie Stephanie. Serj and I admittedly approach things differently, so coming up with a common subject matter was challenging. In the end, we realized that our work and our background in image making ran parallel to each other. Both us are heavily into illustration and visual narratives. In a sense, our bodies of work were like parallel universes to one another.
I grew up reading science fiction and comic books. Science Fiction (or speculative fiction) has always been a home of weird ideas about the future. But as much as they talk about the next step in human evolution, SF also talks about the present, filtered through the lens of scientific allegory.
Many of the science fiction pulp magazines and comic book stories of the past are populated with characters whose origins stories were borne out of exploding planets and radioactive contaminants. Their covers have their own instantly recognizable visual iconography. In a way, these images are no less rigid than Christian iconography found in altars and religious icons.
Having grown up Catholic, religious iconography is part of my visual landscape. And these images are not only confined to churches – they’re everywhere from public transportation to fashion. So I guess, that informs a lot of what I do.
In coming up with images for the exhibit, I wanted to use the theme of “parallel universes” to talk about personal relationships filtered through science fiction iconography. In fiction and in art, we can talk about exploring time and space, but in the end, these journeys are about exploring and understanding ourselves and each other.
“Identity is an assemblage of constellations.” – Anna Deavere Smith
“Inside a black hole time stops altogether.
Whether or not this theory will ever be proved,
I’m moved to believe this would be the perfect place to love someone.”
– Shane Koyczan, Tomatoes
In my third novel there is an actual black hole that swallows everything you love.
– Jonathan Lethem
“Within his orbit, I was nothing but a flat noodle. And I don’t know how much longer I can keep this up.”
– Dee Lestari, Rectoverso
“Sometimes I think gravity may be death in disguise. Other times I think gravity is love, which is why love’s only demand is that we fall.”
― Shaun David Hutchinson,
“What is love if not the gravity of souls?”
― Courtney M. Privett,
For our collaborative piece, Serj and I worked on a quadtych, sharing a single horizon line.
Shoutout to our curator Ricky Francisco and Galerie Stephanie’s Abby Teotico for helping with the birthing pains of this show. I don’t have a photo of them, so here’s a picture of Sergio and myself, with a cameo appearance by Abi Dayacap.
I am currently represented by Galerie Stephanie. The gallery is located at Unit 1B Parc Plaza Bldg., 183 E. Rodriguez Jr. Ave., Libis, Quezon City. For inquiries, contact the gallery at (02) 709-1488 or at email@example.com.
The Center for Art, New Ventures and Sustainable Development (CANVAS) will be launching another edition of the Romeo Forbes Children’s Story Writing Competition this year. I’m honored to have my painting chosen as the contest piece for this edition of the competition. The contest uses artworks as the inspiration or basis for all story submissions. This time around, the stories will be based on my painting. When a story is chosen, I will be illustrating the entire book based on the winning entry.
CANVAS actively promotes Philippine art and culture through exhibitions and collaborations with contemporary artists. One of its chief advocacies is the promotion of reading and literary in the Philippines. The stories and children’s books published by CANVAS are eventually given for free to children of distressed communities around the Philippines. Its goal is to provide 1 million books for 1 million children, and with each new CANVAS book, the organization draws closer to that goal.
The deadline for submission of entries is on October 16, 2015; Friday, 5:00 p.m. (Manila time). Details about the contest and how to enter can be found on Canvas’s blog or at their facebook page here. All inquiries should be directed at CANVAS since I’m only doing the paintings and I have no hand whatsoever with the rules.
My friends and I gave a talk at the Philippine Literary Festival held at Raffles Makati last August 30, 2015. With me in the panel were Liza Flores, Ray Sunga, and Sergio Bumatay III. We were a bit surprised by the turnout; we actually expected maybe ten attendees tops.
Liza Flores gave an introduction about our organization Ang Ilustrador ng Kabataan and talked about her process for her recent book “My Big Sister Can See Dragons” written by Rocky Sanchez Tirona and published by Canvas. The book’s development underwent the usual process that a children’s book goes through in the Philippines, wherein a publisher commissions an illustrator to provide images for an existing story. Liza’s illustrations for the book were all large scale papercuts mounted on wood. During the book’s launch, the illustrations were exhibited at the University of the Philippines Vargas Museum.
Sergio Bumatay talked about out his process for his book “May Darating na Trak Bukas” (literally translated as “a truck will arrive tomorrow”) written by National Artist for Literature Virgilio Almario and published by Adarna House. Serj’s experience on the book was a bit different since it didn’t originate from a previously written text. Instead, Serj was asked to develop several studies that can serve as inspiration for a new story. From the studies, Adarna House chose one image for Virgilio Almario to base his text on.
Ray Sunga narrated his personal experiences in being a children’s book illustrator, as well as his process, and his inspirations. He gave insights into what we as illustrators experience in the Philippines (notably how you can’t live on illustrating children’s books alone).
I talked about my research on word and picture interactions in picture books as well as my learnings from a writers and illustrators workshop I attended in Bintan, Indonesia (more about this in a coming blog post). The point of my presentation was underscore our role as co-storytellers in picture books, a fact that many in the local industry may have glossed over because of the preeminence of the purely written text as primary sources of stories.
The idea of teaching visual storytelling and visual literacy in general seems to be in its nascent stages in the Philippines. Personally, I’ve heard anecdotal evidence that parents shy away from stories that are purely pictorial or at least with very few words. I don’t have the facts as to how visual literacy is being taught in Philippine schools nowadays, but I hope illustrators will have a greater role in shaping the conversation in the future.
I’ve been meaning to blog again for months, but life just got in the way. And as the months rolled on, it became harder and harder to get back into writing in the blog. Well, I hope I can remedy that in the coming months starting with this post, the title of which refers less about about a proclamation of self-encouragement and more about the latest adult coloring in the market.
Recent months have seen an explosion of various adult coloring books in bookstores, and so far the demand just keeps growing. Makes one wonder if everybody is THAT stressed. Hue Can Do It is Summit Books’s entry into the adult coloring book category. It comes in two volumes and features works from over 40 Filipino artists.
The books were launched last August 29, 2015 at The Philippine Literary Festival organized by National Book Store and held at Raffles Makati. Here’s video coverage of the event I found on the internet by Moki Magpantay.
Artists included in the two volumes are Abi Dayacap, Abi Goy, Abi Montana, Alysse Asilo, Angela Taguiang, Apol Sta. Maria, Ariel Santillan, Asa Montenejo, Blic Pinas, Brent Sabas, Camille Chua, Camz Dagal, Clare Magno, Domz Agsaway, Electrolychee, Epjey Pacheco, Fran Alvarez, Frank Perez, Gica Tam, Harry Monzon, Isa Natividad, Jamie Bauza, Jap Mikel, Jaykee Evangelista, JP Cuison, Kay Aranzanso, Koi Carreon, Liza Flores, Manix Abrera, Mawee Borromeo, Mika Bacani, Nelz Yumul, Nicole Lim, Paul Eric Roca, Paulo Correa, Pergy Acuña, Raine Sarmiento, Ray Sunga, Reg Silva, Robx Bautista, Rommel Joson, Sergio Bumatay III, Tasha Rye, and Wiji Lacsamana.
Each Hue Can Do It book is PhP 295 and can be bought at National Bookstore, Fully Booked, Powerbooks, Mini-Stop and 7-11 convenience stores, and Robinsons and SM Department Stores and supermarkets. Visit Summit Books here or Summit Media at their facebook page at http://facebook.com/summitmediaph.