Komura; Creator's Grant

In 2018, I won the first Komura; Creator’s Grant for a zine project I made with Ivan Reverente and Abi Dayacap (my wife). We called it Takatak Komiks—inspired by the sound ambulant street vendors made when selling cigarettes and candies.

June 2018, I saw an online call for zine proposals for a newly formed grant. I’m always on the lookout for things to fuel or fund some of the ideas that have been percolating in my head for years. I felt this was a great thing to get into. The barriers to entry were very few and I already had an idea that was in my head for over 10 years.

For years, my friend Ivan Reverente, my wife Abi, and I had been tossing around an idea for a packet of mini-comics. We’d never gotten around to doing it because real life always got in the way. I decided to go ahead and enter it as a proposal for the Komura; Creator’s Grant. If it got in, we’d get an extra push to do because of the money and the deadline. If not, well…no harm done.

Below are pages from the proposal I sent.

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Here’s the final design and some of the mini-comics we included inside.

Pictures and Words

My friends and I gave a talk at the Philippine Literary Festival held at Raffles Makati last August 30, 2015. With me in the panel were Liza Flores, Ray Sunga, and Sergio Bumatay III. We were a bit surprised by the turnout; we actually expected maybe ten attendees tops.

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Liza Flores gave an introduction about our organization Ang Ilustrador ng Kabataan and talked about her process for her recent book “My Big Sister Can See Dragons” written by Rocky Sanchez Tirona and published by Canvas. The book’s development underwent the usual process that a children’s book goes through in the Philippines, wherein a publisher commissions an illustrator to provide images for an existing story. Liza’s illustrations for the book were all large scale papercuts mounted on wood. During the book’s launch, the illustrations were exhibited at the University of the Philippines Vargas Museum.

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Sergio Bumatay talked about out his process for his book “May Darating na Trak Bukas” (literally translated as “a truck will arrive tomorrow”) written by National Artist for Literature Virgilio Almario and published by Adarna House. Serj’s experience on the book was a bit different since it didn’t originate from a previously written text. Instead, Serj was asked to develop several studies that can serve as inspiration for a new story. From the studies, Adarna House chose one image for Virgilio Almario to base his text on.

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Ray Sunga narrated his personal experiences in being a children’s book illustrator, as well as his process, and his inspirations. He gave insights into what we as illustrators experience in the Philippines (notably how you can’t live on illustrating children’s books alone).

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I talked about my research on word and picture interactions in picture books as well as my learnings from a writers and illustrators workshop I attended in Bintan, Indonesia (more about this in a coming blog post). The point of my presentation was underscore our role as co-storytellers in picture books, a fact that many in the local industry may have glossed over because of the preeminence of the purely written text as primary sources of stories.

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The idea of teaching visual storytelling and visual literacy in general seems to be in its nascent stages in the Philippines. Personally, I’ve heard anecdotal evidence that parents shy away from stories that are purely pictorial or at least with very few words. I don’t have the facts as to how visual literacy is being taught in Philippine schools nowadays, but I hope illustrators will have a greater role in shaping the conversation in the future.

Silent Voices: Book Assemblages

Art Fair Philippines 2015 is happening in 9 days as I write this. I’m part of Canvas Gallery‘s Libro Exhibition, a group exhibit which features artworks inspired by books. I decided to make new book assemblages as my contribution to the show.

I have eight new pieces ready for exhibition. Here are some works-in-progress.

I sculpted different faces out of apoxie clay.

Drawn elements on the faces.

Art Fair Philippines is happening on February 5-8, 2015 at The Link carpark, Makati Avenue, Makati City.

Altered Books

Just posting some old work to tide things over until I get my act together. These altered books were done earlier in the year for Art in the Park at Salcedo Village. I’m in the middle of making new ones for next year.

Never Forget

I’ve been busy these past few months working on an upcoming children’s book entitled “Isang Harding Papel” set during the 1970s – the Martial Law years. Written by Augie Rivera and published by Adarna House. The book will be coming out soon.

As with all period stories, research is essential; not just textual research but visual as well. Protest pictures were relatively easy enough to find, as well as images of the infamous Metrocom that truncheoned protesters into submission; but the smaller things proved a bit problematic. For example, what did the National Highway known as EDSA look like before ugly gigantic billboards sprouted up and blotted out the sky? What did the old propaganda billboards of President Marcos and Imelda Marcos look like?

Tight timelines only allowed me internet research with Google image search providing the bulk of the reference pictures. Some sites were particularly useful to my research, though. The blog site The First Quarter Storm Library had a lot of protest images during the early 70s while the flickr site by Gorio72 had loads of bus images and advertisements from various decades in Philippine history.

I was also able to grab some reference pictures from the long out of print book “The History of the Burgis” by Mariel N. Francisco and Fe C. Arriola published in 1987. Here is a little glimpse inside the book.

For more information about Martial Law and its victims, here’s a link to the Martial Law Memory Project initiated by online news portal, Interaksyon.

I have always been fascinated with this era in Philippine history and it amazes me that in just two decades after Ferdinand Marcos’ exit, people’s feelings about Martial Law are slowly changing from outrage to ambivalence, and for some even fondness. More stories have to be written, movies filmed, and pictures made about our past so that we won’t easily forget.

Lastly, another book that was useful in my research is a pictorial account of the EDSA Revolution – the bloodless revolt during February of 1986 that toppled the Marcos regime. I was only 7 at the time of the revolution but I had vague memories of seeing the coverage on TV and the fervor of those heady days spilling onto our school.

Here are some images from the book: