Ang INK is now accepting applications for new members this 2017. If you would like to be an official INKie, complete the following requirements:
1. Five (5) sample illustrations from your portfolio.
• Individual images should be at least 1000px on one side and be not more than 72 dpi.
• Compile all 5 images in 1 PDF. File should NOT exceed 7mb.
• PDF name should follow the format: APP2017-YourName-PORTFOLIO.
2. Three (3) illustrations based on the PBBY-Salanga Prize winning story Dalawa Kami ni Lola by Genaro Gojo Cruz
• Read the story here: https://tinyurl.com/Dalawa-Kami-ni-Lola
• Individual images should be 9”(h) x 14”(w), and should not be more than 72dpi.
• Entries do not have to be based on consecutive spreads/parts of the text. You are not required to layout/include the text in your illustrations.
• Compile ALL 3 images in ONE PDF. Total file size of the PDF should NOT exceed 5mb.
• PDF name should follow the format: APP2017-YourName.
4. Compress ALL REQUIREMENTS as a ZIP file with the file name: APP2017-Surname-FirstName
Once you have finished the steps above, send your COMPLETE ZIP file to firstname.lastname@example.org with the subject line: APP2017-YourName
DEADLINE: March 18, 2017 (Saturday), 11:59 PM
All applicants will be notified of the results through email on the first week of April. For questions and clarifications, comment below or email us at email@example.com.
Books are receptacles of stories. They’re like sculptures of information – words and stories made into tangible objects. Books are also metaphors for people’s identities and memories. The pieces revolve around the idea of the breakdown of these identities and the slow dissolution of memories. Specific stories and personalities dissolve and run together. Singular identities lose cohesion until they become anonymous. The books try to depict that moment before all identity and story dissolves. In that moment, the object is in flux and becomes something new and different.
“String theory envisions a multiverse in which our universe is one slice of bread in a big cosmic loaf. The other slices would be displaced from ours in some extra dimension of space.” – Brian Greene
“If a coin comes down heads, that means that the possibility of its coming down tails has collapsed. Until that moment the two possibilities were equal. But on another world, it does come down tails. And when that happens, the two worlds split apart.” ― Philip Pullman, The Golden Compass
Last month, Sergio Bumatay and I had our second two-man show, this time held at Galerie Stephanie. Serj and I admittedly approach things differently, so coming up with a common subject matter was challenging. In the end, we realized that our work and our background in image making ran parallel to each other. Both us are heavily into illustration and visual narratives. In a sense, our bodies of work were like parallel universes to one another.
The Stuff of Science Fiction
I grew up reading science fiction and comic books. Science Fiction (or speculative fiction) has always been a home of weird ideas about the future. But as much as they talk about the next step in human evolution, SF also talks about the present, filtered through the lens of scientific allegory.
Many of the science fiction pulp magazines and comic book stories of the past are populated with characters whose origins stories were borne out of exploding planets and radioactive contaminants. Their covers have their own instantly recognizable visual iconography. In a way, these images are no less rigid than Christian iconography found in altars and religious icons.
Pulsars and Space Jesus
Having grown up Catholic, religious iconography is part of my visual landscape. And these images are not only confined to churches – they’re everywhere from public transportation to fashion. So I guess, that informs a lot of what I do.
In coming up with images for the exhibit, I wanted to use the theme of “parallel universes” to talk about personal relationships filtered through science fiction iconography. In fiction and in art, we can talk about exploring time and space, but in the end, these journeys are about exploring and understanding ourselves and each other.
“Identity is an assemblage of constellations.” – Anna Deavere Smith
“Inside a black hole time stops altogether. Whether or not this theory will ever be proved, I’m moved to believe this would be the perfect place to love someone.” – Shane Koyczan, Tomatoes
In my third novel there is an actual black hole that swallows everything you love. – Jonathan Lethem
“Within his orbit, I was nothing but a flat noodle. And I don’t know how much longer I can keep this up.” – Dee Lestari, Rectoverso
Our Strange Gravities
“Sometimes I think gravity may be death in disguise. Other times I think gravity is love, which is why love’s only demand is that we fall.” ― Shaun David Hutchinson, We Are the Ants
“What is love if not the gravity of souls?” ― Courtney M. Privett, Shards of Chaos
For our collaborative piece, Serj and I worked on a quadtych, sharing a single horizon line.
Shoutout to our curator Ricky Francisco and Galerie Stephanie’s Abby Teotico for helping with the birthing pains of this show. I don’t have a photo of them, so here’s a picture of Sergio and myself, with a cameo appearance by Abi Dayacap.
I am currently represented by Galerie Stephanie. The gallery is located at Unit 1B Parc Plaza Bldg., 183 E. Rodriguez Jr. Ave., Libis, Quezon City. For inquiries, contact the gallery at (02) 709-1488 or at firstname.lastname@example.org.
The Center for Art, New Ventures and Sustainable Development (CANVAS) will be launching another edition of the Romeo Forbes Children’s Story Writing Competition this year. I’m honored to have my painting chosen as the contest piece for this edition of the competition. The contest uses artworks as the inspiration or basis for all story submissions. This time around, the stories will be based on my painting. When a story is chosen, I will be illustrating the entire book based on the winning entry.
CANVAS actively promotes Philippine art and culture through exhibitions and collaborations with contemporary artists. One of its chief advocacies is the promotion of reading and literary in the Philippines. The stories and children’s books published by CANVAS are eventually given for free to children of distressed communities around the Philippines. Its goal is to provide 1 million books for 1 million children, and with each new CANVAS book, the organization draws closer to that goal.
CANVAS contest poster
The deadline for submission of entries is on October 16, 2015; Friday, 5:00 p.m. (Manila time). Details about the contest and how to enter can be found on Canvas’s blog or at their facebook page here. All inquiries should be directed at CANVAS since I’m only doing the paintings and I have no hand whatsoever with the rules.
Art Fair Philippines 2015is happening in 9 days as I write this. I’m part of Canvas Gallery‘s Libro Exhibition, a group exhibit which features artworks inspired by books. I decided to make new book assemblages as my contribution to the show.
I have eight new pieces ready for exhibition. Here are some works-in-progress.
I sculpted different faces out of apoxie clay.
Drawn elements on the faces.
Art Fair Philippines is happening on February 5-8, 2015 at The Link carpark, Makati Avenue, Makati City.
Just posting some old work to tide things over until I get my act together. These altered books were done earlier in the year for Art in the Park at Salcedo Village. I’m in the middle of making new ones for next year.