Mabulaklak na Nobyembre at Disyembre

Our exhibit featured on Jessica Soho’s State of the Nation on GMA

A little teaser to the exhibit at Canvas Gallery

It’s been a busy last quarter for INK. Our exhibit on illustrated Filipino idioms (sawikain) was featured on the news and a considerable number of artworks were sold during the two-week run at the Canvas Gallery in Capitol Hills, including my two artworks!

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After that run, we moved the exhibit to the UP College of Fine Arts where we served free ice cream to everyone (all the catering money went into the first exhibit :P ).

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The 2nd run of the exhibit will last up to January 15, 2013 at the UP College of Fine Arts Gallery in Diliman, Quezon City.

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Kent Williams in Manila

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Way back in October, Kent Williams flew into Manila courtesy of Fully Booked. I don’t usually line up for book signings or brave the crowds in meet and greets (I’ve only lined up for Neil Gaiman and James Jean), but I just had to catch the special Kent Williams exhibit at Blanc Gallery. I couldn’t pass up the chance to see his paintings up close and just dissect and learn from the technique. And I learned quite a bit from just staring at his works! I was itching to paint when I got home.

It’s been a while since I updated this blog. I haven’t been blogging lately because all the things have been happening to me seem so incremental and aren’t worth sharing while all the stuff I’ve been doing is all work-in-progress. The thing is, I’ve been trying to stay out of cyberspace and just focusing on doing stuff offline. Staying on facebook seems to be a good idea.

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Mabubulaklak na Dila: an exhibit on Filipino Idioms

 

Ang INK has been busy preparing for its 21st Annual Exhibit. The topic for this year revolves around Filipino idioms or “sawikain”. The exhibit opens on November 16, 5 pm at the Canvas Gallery and Gardens.

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Nanay Coring’s Book Launch

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This Monday (October 8), the Studio Dialogo team headed over to the newly opened National Bookstore at the Greenhills Shopping Arcade for the Book Launch of “Nanay Coring: The Story of National Bookstore’s Socorro Ramos”. The book was written by Yvette Fernandez and Dialogo’s own Liza Flores.

Socorro Ramos or Nanay Coring, as she’s fondly called, grew up from poverty during the Second World War. She built National Bookstore from nothing and had to rebuild the business twice during the early days when a fire and then a typhoon wiped out everything they owned. Now, as everyone in the Philippines knows, National Bookstore is the leading bookstore in the country, selling everything from books to giftwrapper, school supplies to safe boxes.

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2012-10-08-400 Liza’s Family with Nanay Coring 

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33rd Manila International Book Fair

Everytime I enter a bookstore, I usually feel the urge to buy something or splurge on some new release or a rare find. Imagine being in a convention center full of books. I hate and love the Manila International Book Fair at the same time. I always end up getting carried away…

May have gotten a bit carried away at the book fair. Graphic novels at reduced prices further slashed down by 40 %

It wasn’t all about shopping though as I launched a couple of children’s books with my friends.

Guardians of Tradition from Adarna House

The Happy Prince from Lampara Books

The 17th Tito Dok Book: Eeewww!Kadiri ang mga Germs (Eeewww! Germs are Yucky!)

Ray Sunga, Ariel Santillian and Me launching our Tito Dok books (all written by Luis Gatmaitan) at the OMF Lit booth.

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Metrobank Art and Design Excellence

Almost a month ago, I attended the 2012 Metrobank Art and Design Excellence (MADE) Awarding. I got in because my painting was included as a semi-finalist and was fortunate enough to be part of the exhibit. It was my first time to attend one of these shindigs and I have to say it felt awkward and uncomfortable being there. I guess I’m not used to all the fuss. The sight of bigwigs in formal attire felt so far removed from the messy and often solitary process of making the art we were celebrating that night.

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Pretty far removed from my messy studio

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My painting (crappy shot, I know. I went solo.)

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The grand prize winning paintings

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Oh, look…a Philippine senator. My painting somewhere in the background.

Nevertheless, I was glad that at least my painting got a chance to be seen by people other than my closest relatives. Hmm, come to think of it, even my closest relatives hardly see my paintings.

After the awarding itself, the exhibit area was opened for viewing. The host asked  the semi-finalists to stand beside their paintings to explain their works to prospective buyers. Something I found very awkward…so I didn’t do it. I guess I have to work on my social skills. I just roamed around the exhibit area anonymously, acting like just another viewer.

It was an odd experience seeing people taking photos of my work. Some even had their pictures taken beside my painting. All in all it was a pleasant experience. :)

After the cocktails I slipped out of the venue and headed home.

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Strangely though, when I was googling stuff about MADE, there were hardly any blog posts about it, with the notable exception of Daphne Oseña Paez‘s blog post about the 2011 awarding. So I thought I’d write a rough timeline of the whole process for future reference. Though, this will probably be a bit different for the grand prize winners.

May 8 to 9 – submission of artworks

May 23 – received a text from MADE that my artwork was chosen as one of the semifinalists

June 4 to 5 – submission of actual artworks

September 11 – Got a text that my painting will be included in the exhibit

September 13 – Awarding and Exhibit

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October 8, 2012 · 10:00 am

Forty Days

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Forty days ago, in between the deaths of Dolphy and Jesse Robredo, my grandmother passed away after a month in the hospital. Her death didn’t flood the facebook and twitter feeds of the world. After all, she didn’t land on the moon or was a comedy queen. A hundred years from now, nobody will remember that she even lived or died.

I wasn’t beside her when it happened. The call came at around 6am. But prior to that texts were sent and delayed because of Globe’s network problems. I drove to the hospital with my family. I wish I had driven a bit faster, although I don’t know if that would have made a difference. She was already dead when we arrived.

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During the wake, many of my father’s, my mother’s and my sister’s friends came. Only one friend of mine visited. Which makes me wonder what the turnout will be when I die.

I’ve been thinking of death and sickness a lot lately. My family is no stranger to cancer. My mother is a cancer survivor and so is her sister. I’ve had relatives die of a car accident and murder. One of my most vivid memories is my uncle’s blood being hosed out of a mattress.

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But despite this, my grandmother was the closest person I’ve ever lost. She practically raised me since my mother and father both held jobs.

I still think of her. Although she had other grandchildren, I was her first and the one she took care of the longest. My cousins are too young to hold many memories of her while I have years and years worth of stories. Sometimes I feel I’m the only one keeping these stories alive. When I die, they will be gone as well.

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Strangely enough, my memories of my grandmother have found their way into my work. Through the years, grandmother-type characters and images have been popping in out of my drawings, paintings and stories.

During my college days, I made a website about Philippine Folk Medicine with my grandmother as the “avatar” of the site. She had  a penchant for foisting all sorts of folk remedies on me. Actually, I even made an essay about it in my Creative Writing Class.

For my thesis, I made a comic story that used fragments of memories and stories she told and wove it into a little sequential mood piece. I entered it into the 1st Neil Gaiman-Fully Booked Competition and won 3rd place.

In the eulogy I gave during her interment, I told even more stories about her. Through my art, I think I will keep telling stories about her for a very long time.

Who knows, maybe a hundred years somebody, somewhere will still remember.

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